Susana López

We Love You (2014, 10:00)
Grabaciones de campo transformadas y combinadas con sonidos electrónicos en SuperCollider.

Coil (2014, 20:00)
Música y video: Susana López

Vortex (2010, 04:16)
Música y video: Susana López

Study For Image – Event Ocean (2014, 20:00)
Video: Susana López
Audio: Thomas Bey William Bailey

susanna lopezSusana López

A visually trained artist and experimental composer. She has been working with sound and light, exploring how these intangible materials can act as catalysts to focus our consciousness and alter our perception. Her compositions are field recordings combined with electronic sounds in an attempt to create hypnagogic states.

With seven releases: The Edge of the Circle (2022, Elevator Bath); Crónica de un secuestro(2020, Elevator Bath) Top Ten Drone International; Huldra (2020, Crystal Mine); Looms(2019), Four Sinusoids to Eliane (2019, Important Drone Records), Megalitomanía (2014) and Vortex (2011).

She has participated in international compilations such as Pandemic Reponse Division, Spectral Electric (2020,Chicago); From Here to Tranquility. Volume 11, Silent Records (California); Artifariti, Encuentros Internacionales de Arte y Derechos Humanos del Sáhara Occidental; Super-Sensor, Murcia Materia Sonora, Oír Arte, 1 minute autohypnosis 39th CD, Musica Dispersa 01 – International Experimental Compilation, Microtopies 2013, 2014, 2016, El Arte y su sonido, and Tribute to Aram Slobodian.

In addition to her work as a composer, she has designed covers, posters, performed live visuals and scenery for various artists and groups.

Since 2010, she has carried out the cataloguing and digitization of SONM, the Sound Archive of Experimental Music and Sound Art at Puertas de Castilla Cultural Centre (Murcia), established in 2010 by Francisco López.